PHOTOGRAPHY
The word “Photography” comes from the Greek words “phos” meaning light, and “graphos” meaning writing.
Art of Photography to The fight certifies photography as a fine art has been among the medium’s dominant philosophical preoccupations since its inception. Photography’s legitimacy as an art form was challenged by artists and critics, who seized upon the mechanical and chemical aspects of the photographic process as proof that photography was, at best, a craft. Perhaps because so many painters came to rely so heavily on the photograph as a source of imagery, they insisted that photography could only be a handmaiden to the arts. 18To prove that photography was indeed an art, photographers at first imitated the painting of the time. Enormous popularity was achieved by such photographers as O. J. Rejlander and Henry Peach Robinson, who created sentimental genre scenes by printing from multiple negatives. Julia Margaret Cameron blurred her images to achieve a painterly softness of line, creating a series of remarkably powerful soft-focus portraits of her celebrated friends. 19In opposition to the painterly aesthetic in photography was P. H. Emerson and other early advocates of what has since become known as “straight” photography. According to this approach the photographic image should not be tampered with or subjected to handwork or other affectations lest it lose its integrity. Emerson proposed this philosophy in his controversial and influential book, Naturalistic Photography (1889). Appropriately, Emerson was the first to recognize the importance of the work of Alfred Stieglitz, who battled for photography’s place among the arts during the first part of the 20th cent. In revolt against the entrenched imitation of genre painting known as “salon” photography, Stieglitz founded a movement which he called the Photo-Secession, related to the radical secession movements in painting. He initiated publication of a magazine, Camera Work (1903–17), which was a forum for the Photo-Secession and for enlightened opinion and critical thought in all the arts. It remains the most sumptuously and meticulously produced photographic quarterly in the history of the medium. In New York City, Stieglitz opened three galleries, the first (1908–17) called “291” (from its address at 291 Fifth Ave.), then the Intimate Gallery (1925–30), and An American Place (1930–46), where photographic work was hung beside contemporary, often controversial, work in other media. Stieglitz’s own photographs and those of several other Photo-Secessionists—Edward Steichen, one of his early protégés; Frederick Evans, the British architectural photographer; and the portraitist Alvin L. Coburn—adhered with relative strictness to a “straight” aesthetic. The quality of their works, despite a pervasive self-consciousness, was consistently of the highest craftsmanship. Stieglitz’s overriding concern with the concept “art for art’s sake” kept him, and the audience he built for the medium, from an appreciation of an equally important branch of photography: the documentary. The power of the photograph as record was demonstrated in the 19th cent., as when William H. Jackson’s photographs of the
JAPANESE PRINT MASTER
Utagawa Toyokuni(1769 - 1825) (also often referred to as Toyokuni I, to distinguish him from the members of his school who took over his go (art-name) after he died) was a great master of the Japanese woodblock print, known in particular for his Kabuki actor prints. He was one of the heads of the renowned Utagawa
Utagawa Kuniyoshi (1798 - 1861) was one of the last great masters of the Japanese woodblock print.
HANGA
"Hanga" is the Japanese word for print. Collectors and friends of Japanese art prints are often confronted with the terms "sosaku hanga", "shin hanga" and "moku hanga". This article, meant for newbies in the subject of Japanese prints, tries to explain in plain words what it is all about.
FAMOUS HANGA ARTIST
Shin Hanga Artists
- Hashiguchi Goyo, 1880-1921
- Hiroshi Yoshida, 1876-1950
- Ito Shinsui, 1888-1972
- Ito Sozan, 1884-?
- Ito Yuhan, active 1930s
- Hasui Kawase, 1883-1957
- Koson Ohara, 1877-1945
- Natori Shunsen, 1886-1960
- Shiro Kasamatsu, 1898-1991
- Takahashi Hiroaki (Shotei), 1871-1945
- Takashi Ito, 1894-1982
- Takeji Asano - 1900-1999
- Toraji Ishikawa, 1875-1964
- Torii Kotondo, 1900-1976
- Toshi Yoshida - 1911-1995
- Tsuchiya Koitsu, 1879-1949
Western Artists of Shin Hanga
- Bertha Lum, 1869-1954
- Charles W. Bartlett, 1860-1940
- Cyrus Baldridge, 1889-1975
- Elizabeth Keith, 1887-1956
- Fritz Capelari, 1884-1950
- Helen Hyde, 1868-1919
- Lilian May Miller, 1895-1943
- Noel Nouet, 1885-1944
- Paul Jacoulet - 1902-1960
- Pieter Irwin Brown, 1903-?
Sosaku Hanga Artists
- Fumio Kitaoka, born 1918
- Gen Yamaguchi, 1896-1976
- Junichiro Sekino, 1914-1988
- Kanae Yamamoto, 1882-1946
- Koshiro Onchi, 1891-1955
- Maekawa Senpan, 1888-1960
- Masao Maeda, 1904-1974
- Mori Yoshitoshi, 1896-1992
- Sumio Kawakami, 1895-1972
- Tomikichiro Tokuriki, 1902-1999
- Sadao Watanabe, 1913-1996
- Saito Kiyoshi, 1907-1997
- Shiko Munakata, 1903-1975
- Toshiro Maeda, 1904-1990
- Umetaro Azechi, 1902-1999
- Unichi Hiratsuka, 1895-1997
SOURCE:
http://www.photoworkshop.com/photo101
http://www.bartleby.com/65/ph/photogrph.html hanga.asp
http://www.artelino.com/articles/hanga-
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